Mapping the Edges – A Call for submissions to Dark Mountain: Issue 14

Monique for Issue 14

Looking over Barcelona from ‘A Sea Journey by Foot’ by nomadic artist Monique Besten, tracing her walk to Paris COP in 2015 (Issue 9)

The Dark Mountain Project began as a journey: a call for writers, artists and thinkers to set out into unknown territory, to scale the mountain in order to look back at the twinkling lights of the cities below, and to gain a sense of perspective before the inevitable descent. But as well as a summons for fellow travellers, the manifesto also emphasised the need to ‘celebrate work rooted in time and place’ and to ‘write with dirt under our fingernails’ – not to have our head in the clouds, but our feet firmly on the earth. From its inception Dark Mountain has been both an embarkation and an act of coming home. It is these interwoven themes – travel and dwelling, moving and staying, journeying and returning – that we are keen to explore in our fourteenth issue.

The lands that we inhabit and the borders that enclose us have long defined conventional cartography and informed our perspectives on the wider world. Yet like any human documents, maps are far from neutral past explorers who made arduous journeys to resolve the ‘empty’ spaces on the periphery of their own maps inevitably crossed paths with peoples for whom these edges were a known centrepoint. Now those early atlases, their margins decorated with mermaids or monsters, may provoke nostalgia or controversy for maps are the most temporal of artefacts. Sea level rise, desertification, new ideologies and regimes, the razing of some cities and the growth of others, and the migrations of species (including humans) in response to conflict and climate change: all these challenges demand that we redraw our maps, and take a different approach to understanding terrain. The new horror vacui on the horizon is the future. How can charts evolve to record our changing world? What diagrams will direct our steps forward in a time of collapse?

In this era when no place is considered ‘off the map’ and the globe can be crossed in a day by oil-fuelled transport, humans are travelling more than ever; whether this takes the form of holidays with all the tourist trappings or work trips to confer with overseas colleagues and clients. While some catalysts for travel might be defined as luxuries, other journeys are essential for self-preservation: the seasonal nomadic quest for food and shelter, or a flight from fear and oppression. However dangerous, these travels preclude a more desperate alternative. Every single journey – over the ocean or across the Earth – alters the landscape for subsequent travellers, whether the trail it leaves is carbon condensing at high altitudes or the erosion of plant life on the tundra.

Each wanderer faces questions of belonging, whether the interrogation takes place at a customs barrier or within their own heart. Do we possess a return ticket, or face permanent exile? Do we know our destination, or are we drifting with the tide? Do we take a map, or is getting lost necessary? In a restless, globalised culture which dictates that all places be the same and none of us loyal to a heartland, it is sometimes hard to make ourselves at home on Earth. As Martin Shaw writes, to become ‘of a place’ is to trade ‘endless possibility for something specific’. Some of us commit to deepening our investigations of one place, digging in and giving voice to the inhabitants (human and non-human) of the neighbourhoods in which we live. What are the stories behind the dwellings we construct within these familiar spaces? We may look out at the world from the window of a moorland hermitage, or view the vast metropolis from a high tower. What does it mean to have a home that is in motion: a caravan, a boat, or even a shrinking raft?

For the fourteenth issue we seek work which challenges borders and celebrates transgressions. The book’s editors – Charlotte Du Cann, Nick Hunt and Nancy Campbell – are looking for writing from new voices and established thinkers, working across genres of both fiction and non-fiction. Send us your reports, journals, photo-essays, folktales, letters and log books. The editors are also looking for artwork that documents place and maps of real and imaginary journeys. We welcome artwork in different media from line drawings and printmaking to photography, but please note our vision for this issue is to produce all artwork in black and white.

This issue will encompass the diverse geographies of the planet: urban spaces and the green corridors that saunter through them, footprints crossing deserts of both sand or snow. Show us routes through first forests and bold new plantings. From the watersheds of mountains to the beds of the oceans, this book will represent all points of the compass. We’re looking for submissions from all over the world, and in particular encourage writers to submit work from the global south, as most of our past submissions have come from the northern hemisphere. In addition to this call, in a first for Dark Mountain, we have commissioned three ‘scouts’ Akshay Ahuja, Sarah Thomas and Daniel Nakanishi-Chalwin to seek out work to broaden the geographical and cultural range of contributors.

The fourteenth issue of Dark Mountain will be published in October 2018. The deadline for submissions is 18 May 2018. Please note that the maximum word limit is 4,000 words, and check the submissions guidelines carefully for details of how to send your work. We cannot read or respond to work which does not fit within our guidelines.

– Dark Mountain Editors


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10 thoughts on “Mapping the Edges – A Call for submissions to Dark Mountain: Issue 14

  1. Hello there,

    There is no mention of poetry. Does that mean you are not accepting poetry submissions for this issue?


  2. Hi Chris, that’s correct – this issue is limited to non-fiction and fiction. We’ll be accepting poetry again for next year’s spring anthology.

    Best wishes

    • Hi Jess, thanks for getting in touch. Yes, we’d love you to submit writing from a Scottish Traveller perspective – please send us something! Have a look at the submissions guidelines above… We look forward to reading.

  3. Sounds like another fascinating issue!

    Not to nitpick, but the great majority of people in the “global south” actually live in the northern hemisphere (China, India, SE Asia, N Africa, Central America…)

  4. I listen to my husband’s audio recording of DM Manifesto over and over. It is a lifesaver for me — while I volunteer in 3 different climate activism realms. It helps me volunteer with joy and calm, rather than frenzied fear. This particular issue sounds right up my alley to write a reflective piece (I am a retired writer, 4 books in the 90s). This sentence from your announcement is exactly what I can offer: ” Show us routes through first forests and bold new plantings.” I am the founder of Torreya Guardians, the first citizen-led group to buck the system and just go ahead and move this endangered USA tree hundreds of miles northward ourselves. We’ve received a lot of academic and press attention, but I would love a chance to reflect heartfully on this strange turn of calm activism I have taken in my elder years. Sample our website, as listed below.

    • Hi Connie,

      This sounds great. When you send your submission, make sure you follow the guidelines above. We look forward to seeing your work.

      Best wishes


  5. Hello Dark Mountain,

    I first stumbled upon your project through reading Paul Kingsnorth’s ‘Wake’. I immediately sensed an affinity with all that you were offering – a re-imagining of the human in word and image – a binding back to our essential nature and a potential space in which to share our stories of this great journey we call life.

    For some years now I have been exploring inner landscapes through painting and drawing, those liminal spaces on the edge between the conscious and unconscious. I see these spaces/images as psychic maps, imaginary traces populated with the unconscious experiences of a lifetimes intuitive study of nature, rocks, mountains, and the movement of body/mind through space.

    Your next publication seems apposite for such meanderings and if you deem my work appropriate I would like to contribute if I may. You can see examples of my work at the website below. If interested I can send high quality images as necessary.
    best wishes with the project.

    • Hi David,

      Psychic maps and imaginary traces sound good. All submissions need to be sent to the [email protected] email address, following the ‘submissions guidelines’ link above, to ensure they get to the right place. We look forward to seeing what you send!

      Best wishes


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