Deep Waters: Burnt Umber

Today's post in our ongoing Deep Waters series is a new poem from Em Strang.
Em's work has been published widely in anthologies and journals. Her first collection, Bird-Woman (Shearsman, 2016), was shortlisted for the Seamus Heaney Best First Collection Prize, and won the Saltire Poetry Book of the Year.

‘The Worker’ is painted in oil:
the ingrain yarn of his hands,
every fine line between finger and thumb
demarcated. His life line
veers off at a tangent
as though it’s onto something
he knows nothing about.

Between the rig and the kitchen table,
the ocean. Only the sea-birds
are pencilled in his book
and one or two comments
without question marks. It’s oil
and bread and the harsh squawk
of the gulls that make him up,

some foreign artist’s Romantic impulse.
In the top left-hand corner
of the painting, a quarter
of the window. I imagine
he’s been looking out all morning,
trying to gauge the extent of the damage.
But the spill is a different country.

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