Plant Dialogues

How We Walk Through the Fire Workshop 4 - 30th April and 7th May, 4-6pm

PLEAST NOTE: the applications for this workshop are now closed. Due to high demand, we will be running a second midsummer workshop (Thursday 16th and 23rd June, 6-8pm)) to celebrate the summer solstice. Details coming soon!

Continuing our series of creative workshops centred around the eight fires of the ancestral solar year.

Our fourth workshop will focus on connecting with the plant kingdom in times of ecological crisis. We will be joined by Dark Mountain’s Mark Watson to explore how we might re-entangle ourselves with the intelligence and beauty of wild plants, working with the key leaves, flowers and trees of May.

Plants give human beings everything they need to sustain their place on Earth: the air we breathe, the food and medicine to nourish us, fabric to shelter us. But their diverse and colourful forms also entwine themselves into art, into poetry, into cultures and ceremony throughout the world, as they provide a bridge into the mythos and the sentience of the planet.

How can we honour these relationships in difficult times? How can plants help root us in place and time, help us remember the role imagination plays in communication with the more-than-human world –from the smallest daisy on the roadside to the forest’s mightiest oak?

For this fire gathering, set around May Day on 1st May, we will tune into the plants of our local territories. We will be creating work to celebrate what we encounter, and share our stories of what it means to become kin with the world.

Do join us in this hands-on ensemble investigation into the art and practice of plant dialogues as we welcome the greening of the growing year.

About this Eight Fires series

How We Walk Through the Fire aims to forge a collective practice amongst writers, artists, and creative practitioners; and to host a culture that can both weather the storm and lay the tracks for a more ‘biospheric’ relationship with ourselves and the more-than-human world.

Each of the fires will explore different themes and approaches to this practice, from storytelling to plant medicine to performance – but all aim to foster resilience and radical kinship, and to strengthen our creative voices within an ensemble. Together we’ll ‘walk through the fire’, letting go of what no longer serves, and discovering what might bring repair and regeneration to a world, and a culture, in crisis.

How We Walk Through the Fire workshops are hosted by Charlotte Du Cann and Dougie Strang who have created many immersive, dramaturgical events and teachings for Dark Mountain, based on reconnection with deep time and the mythology of place.  

 

Practical information

The course comprises two x 2 hour group Zoom sessions, with time for a solo walk/encounter and a creative task during the week in between. It will include exercises and discussion and provide opportunities for:

  • Working within a Dark Mountain frame
  • In-depth conversation with fellow writers and artists
  • Deepening your practice
  • Exploring relationship with the living world

When: Saturday 30th April and Saturday 7th May, 4-6pm BST

Note all time zones are welcome to participate.

Group size: 16 people maximum

Price: £55

How to apply: As the course has limited space and we are looking for a diverse group of participants, please could you let us know a bit about yourself: where you are writing from, your current practice and why you would like to take part in the course. A few sentences are fine! Send your email to info@dark-mountain.net and we will be in touch.

 Deadline for applications: Monday 18th April 2022

 

Tutors

Mark Watson has been consciously tuning into the plant world since the 1990s and has worked with medicine plants in Mexico, the Arizona desert and the UK. He teaches others to connect with the dreaming of plants through embodied practice, communication and developing mutual relationships. He is a keen forager and fermenter and one of the core team behind the Dark Mountain Project.

Charlotte Du Cann is a writer, editor and co-director of the Dark Mountain Project. She has taught creative non-fiction and reconnection with the wild in many places, including Schumacher College, Arvon, School of the Wild, Sweden’s Riksteatern, and Natural Beekeeping Trust. She has been the co- producer of recent Dark Mountain art and writing workshops, Finding the Words When the Story is Over and When the Mountain Speaks with Us.

Charlotte and Mark held a inquiry into the language and dreaming of medicine plants for over ten years, much of which is recorded in Charlotte’s book 52 Flowers That Shook My World. They have taught plant-human communications within in a wide range of territories, from woods and wastelands, botanical gardens and city parks. They live on the salty edge of East Anglia.

 

IMAGE: ‘Fernman’ by Kahn & Selesnick. Nicholas Kahn and Richard Selesnick are  a collaborative artist team who work primarily in the fields of photography and installation art, specialising in fictitious histories set in the past or future. They have participated in exhibitions worldwide and have work in over 20 collections. Their work has appeared in Dark Mountain: Issues 9, 13, 16 and 18. kahnselesnick.biz/2019

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