art

In the light of recent climate protests, Mat Osmond considers what it entails to hold ourselves accountable to a generation facing catastrophe.

First in our archive month: Picnic with Sheep, an 'in the field' art project by Leonie van der Plas, chosen by Ava Osbiston, from spring 2016.

Latest in our series on art and activism is set around a modern peace camp and ancient hermitage in Scotland’s Rosneath peninsula, home of the UK’s Trident nuclear submarines. Images from 'Trinity', a new book by Oliver Raymond Barker, with text by Nick Hunt.

At the climax of an exhibition inspired by the Dark Mountain manifesto, Dougald Hine wonders about the role of artistic ritual in facing the end of the world as we have known it.

What role does ritual and the sacred play in confronting ecological and social crises? Buddhist scholar, Jonathan Hopfner investigates the story behind the photographs of Mitsutoshi Hanaga

What is the right response to 'unstoppable' climate change? Artist and writer Mat Osmond on the death of capitalist realism, post-activism and not being able to answer the question. 

A call out for uncivilised (short) films for our upcoming event in Bristol next spring, Dark Mountain at The Cube

A visceral story of collapse by Eric Robertson, set in a feral pasture in Utah.,from Issue 16 - REFUGE. With image by performance artist Robert Leaver from his series 'Man Down'.

The artist James Aldridge describes how his practice seeks to forge a dialogue with the more-than-human world. Third post in our Becoming Human series.