art

At the climax of an exhibition inspired by the Dark Mountain manifesto, Dougald Hine wonders about the role of artistic ritual in facing the end of the world as we have known it.

What role does ritual and the sacred play in confronting ecological and social crises? Buddhist scholar, Jonathan Hopfner investigates the story behind the photographs of Mitsutoshi Hanaga

What is the right response to 'unstoppable' climate change? Artist and writer Mat Osmond on the death of capitalist realism, post-activism and not being able to answer the question. 

A call out for uncivilised (short) films for our upcoming event in Bristol next spring, Dark Mountain at The Cube

A visceral story of collapse by Eric Robertson, set in a feral pasture in Utah.,from Issue 16 - REFUGE. With image by performance artist Robert Leaver from his series 'Man Down'.

The artist James Aldridge describes how his practice seeks to forge a dialogue with the more-than-human world. Third post in our Becoming Human series.

Dougie Strang speaks with one of physical theatre's most exciting performers

For The Vanishing series, Charlotte Du Cann considers the 'right' response to Earth's disappearances, through the lens of four artists and photographers.

Peter Metelerkamp explores the ruins of 'Settler' culture in South Africa from our Autumn issue 14 - TERRA

To start our 'Under the Canopy' series, an essay on David Nash's 'Ash Dome' by Anita Roy

Artist and forager Caroline Ross tells the story of how she created the rock painting used for the cover of Dark Mountan: Issue 13.