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The Devil’s Door

Early churches were often built on sites that had been sacred long before the arrival of Christianity. Old traditions die hard and so, in parts of England, these buildings often include a ‘devil’s door’, an entrance that was used for those ceremonies to which the priest was not invited.

When Dark Mountain invited contributions for a special issue on the sacred, we invoked that image: the afterlife of supposedly obsolete beliefs, the pragmatic compromises by which ground-level coexistence comes about, and the way that different stories of the sacred can hinge on a shared experience that a particular patch of land is somehow special.

Having made that call, we found that many doors were opened to us. So this section is an ongoing home for writing that draws on the languages of the sacred to face the vastness of the unravelling through which we are living.

Coda

Dougald Hine & Steve Wheeler
16th November, 2017
In a talk given almost forty years ago, the novelist Alan Garner explains that he never looks through the printed object of a finished book.
The Devil's Door

Believing in Holidays

Dougald Hine & Elizabeth Slade
14th November, 2017
From Our BooksIssue 12: SANCTUMThe Devil's Door

Twelve Pieces

The Editors
9th November, 2017
The book opens with Sara Jolena Wolcott standing at a bus stop in Queens, waiting for...
Issue 12: SANCTUMThe Devil's Door

The Snake in the Margins

Sylvia Linsteadt
6th November, 2017
How Sylvia V. Linsteadt and artist Rima Staines summoned the voice of the Sibyl of Cumae to inhabit the margins of Issue 12 - SANCTUM
From Our BooksIssue 12: SANCTUMThe Devil's Door

Dark Mountain: Issue 12 (SANCTUM)

The Editors
26th October, 2017
Issue 12: SANCTUMThe Devil's Door

The Devil’s Door: A Call for Contributions to Issue 12

Dougald Hine
12th April, 2017
I first caught a trace of this phenomenon some years ago, visiting a Saxon church...
Call outsNewsThe Devil's Door

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